She patted Joan’s hand and spoke gravely. “That is right, dear. That is youth’s métier; to take the banner from our failing hands, bear it still a little onward.” Her small gloved hand closed on Joan’s with a pressure that made Joan wince. Flossie’s young man was standing near the fire talking, or rather listening, to a bird-like little woman in a short white frock and blue ribbons. A sombre lady just behind her, whom Joan from the distance took to be her nurse, turned out to be her secretary, whose duty it was to be always at hand, prepared to take down any happy idea that might occur to the bird-like little woman in the course of conversation. The bird-like little woman was Miss Rose Tolley, a popular novelist. She was explaining to Flossie’s young man, whose name was Sam Halliday, the reason for her having written “Running Waters,” her latest novel.!

“There’s a chemist’s shop in the next street. We’d better take him there,” suggested the one who had first spoken to her. And she thanked them and followed them. But it was her Gethsemane: the best that Fate had been able to do for her. It was here that her choice would be made. She felt that.

“The Cyril Baptiste,” he answered, in a low, even, passionate voice, that he flung at her almost like a blow. “The atheist, the gaol bird, the pariah, the blasphemer, the anti-Christ. I’ve hoofs instead of feet. Shall I take off my boots and show them to you? I tuck my tail inside my coat. You can’t see my horns. I’ve cut them off close to my head. That’s why I wear my hair long: to hide the stumps.” A little choking sound was the only answer. But the woman rose and, Joan following, they stole upstairs into the bedroom and Mrs. Phillips turned the key. “But you’re surely not suggesting any other kind of Press, at this period of the world’s history?” exclaimed Joan.